My passion for art was cultivated from a very young age, as I remember always dancing and reciting rhymes. My mother enrolled me in ballet, but my energy didn’t align well with it, and I quickly discovered new forms of movement, shifting to modern dance and hip-hop. Dance has always accompanied me—competitions, camps, workshops, and later work in music videos, concerts, and commercials. However, I soon realized that it wasn’t enough for me; I needed to feel and express emotions on other levels too. That’s when I decided to try my hand at acting studies, and in 2020, I was accepted into the Warsaw Film School.
In my third year, I made my theatrical debut on the stage of the Grand Theatre National Opera, participating in the production called “Power of Destiny,” directed by Mariusz Treliński. The following year, I had the pleasure of performing a small but significant role in “Medea” at the same theater. Among my theatrical productions, there was also a post-apocalyptic performance titled “Adam” and a modern, end-of-the-world version of the play “Dogville,” in which I guided the audience through the created world as the narrator. Theater is a wonderful medium, but film is my true drive, and it’s in this field that I want to develop the most.
My first experience with film began in 2021 on the set of the Canadian movie “Irena’s Vow,” where I played a dual role—both as a stuntwoman and in a small role in a scene set in an occupied hospital. I have acted in several short films, one of which, “The Cave,” was filmed 80 meters underground in cold and damp conditions. My most recent film to date was our award-winning film “Chemistry,” where I performed the most challenging scene of my life—a miscarriage scene. It’s scenes like these that make me want more, to grow and explore new methods that will allow me to understand and build a character in a multi-dimensional way. I train with Western specialists like Giles Foreman or John Weisgerber and constantly seek for more. I am determined, passionate, and ready to explore both the bright and dark corners of acting because that’s when I feel the happiest and fulfilled.